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West Nile Records: Press

JOE STRUMMER TRIBUTE NIGHT - Glasgow, King Tuts (22/12/06)
The 4th annual tribute night in aid of Strummerville, Joes charity foundation, kicked of with the Cool Jerks from Central Scotland (mainly Falkirk), playing it for the 3rd year in a row, opening the show saying this is how Joe started and ripped into the 101'ers Letsagetabitarockin, followed by an excellent working of Jimmy Jazz, Stay Free and finished by saying this is how it finished for Joe with Coma Girl from Joe & the Mescaleros. The Cool Jerks deserve credit for being the only band to attempt anything from the 101'ers & the Mescaleros and an early slot helped them as they got time for 4 numbers! They were well received and set the tone for what was to follow!

Next up were Dead City Riots (formerly Freeview), who had also played the tribute night previously, and blasted through their set including, appropriately enough White Riot & Career opportunities! The sell out crowd was fast filling the venue up and getting into the Clash vibe! DCR are mainly from Glasgow and have been getting a bit of local airplay on XFM and good live reviews and are worth checking out!

A word about the venue, for reasons that will become clear further on, King Tuts is a small, low ceilinged, initimate venue in Glasgow city centre, and is regularly voted venue of the year in various polls and was where Creation saw & signed Oasis. It doesnt feature as a main punk venue although I have seen the Dead Kennedys, Spear of Destiny & the Alarm, DMW in there, it caters more for indie and up and coming bands but not mainstream radio friendly stuff as such. The venue certainly helped the mood and vibe of the tribute night and the backing music of the Dead Kennedys certainly helped keep the good nostalgia vibe going!

The bands followed thick & fast with 10-15 minute sets including Glasgow legends The Zips who played a storming set. Also a band called Catcher, who were good, and paused to allow a woman called Lucy on stage to read out a letter from Topper who had also spoken to Joes wife, thanking us for our support of Strummerville and to say that like us, they cannot get Joe out of their heads and hearts. A poignant message. The show cranked on with bands called Sucioperro, Nibushi Shang Hong & the 10.1'ers! All doing quality covers of various Clash footstomping classics!

Next up were a band that played last year, Glasvegas, who are heavily touted up here as being a 'next big thing'. The singer looks similar in some ways to Joe! I saw them last year and they played one of the best interpretations of Bank Robber that I have heard, similar to Hawskley Workman on Uncuts cd tribute to the Clash. However, this year they only played two songs, Guns of Brixton & Brand new cadillac, which were good, but I expected more from them.

Next up were last years headliners, the Counterfeit Clash, who also put on a good show and I reckon one of the better Clash tribute bands on the circuit. By now Clash tunes had been banging out for a couple of hours, the beer flowing and the Kennedys on in the background to keep the mood 'excitable'! The Counterfeits played a good few numbers but had warn to crowd to calm down a couple of times!

The last band on were Combat Rock, who had the headline slot. They are a 4 piece tribute band from Glasgow who have been around for several years but various line up changes and work committments have limited their gigs over the years, to the extent tonight they were fronted by the lead singer from Rebel Truce, who also stood in at the recent 30th Anniversary of Punk gig Glasgow Carling.

As I said the mood had become excitable or euphoric or call it what you like but what happened next, I have not seen at a gig for many many years. The plug was pulled by the venues management and the band taken off stage! Why I hear you ask? The band struck up a few songs and beer got thrown at the stage and light rig and the bouncers waded in to root out the culprits, but the guys took exception to being chucked out and fought back! So the band got taken off to much booing and whistling. They came back on and said that the had been told to say that if we didnt calm down, that would be it and the gig over. And sure enough the fighting continued and the band got hauled off! Gig over! I was unsure what to make of this. Who was right, the management or the punters? Anyone who was fortunate enough to see the Clash knows that trouble happened. I didnt see them but saw Joe when he kicked off solo after the split and anyone who has been to a gig at the barras will know how boisterous things can get and this wasnt anywhere near being like that. Anyone who has not seen The Clash or Joe but has seen Rude Boy will have seen that fighting with bouncers and trouble at Clash gigs in Glasgow goes hand in hand! And having just read Joes biography it is clear that he loved the chaos. But is this how we want to remember him? I'm not condoning what happened but I would take exception at about to being launched down a set of stairs by some bouncer, but it was a tribute and ultimately a charity night, so lets leave the fighting at home and enjoy and remember the music and the man. Hopefully it will be same time, same place next year for the 5th anniversary.
Punks Not Dead!
Reviewed by Ally From Punk and Oi Webscene
Ha!!! She texted me to say that she'd been speaking to youand was most chuffed that the band had invited her tojoin them for a drink in the Merchant City - she saidshe felt like a proper groupie! All this while herdaughter was in on Friday night watching Children inNeed! There's something wrong somewhere....! Thanks for playing it - she really was chuffed!Manders x --- MJ Barry wrote: > > > > Well it finally happend > Rock n roll revolutionaries (the true tale of Eddie> Cochran treading on Amandas mums shoes) was> performed at Barrowlands 2 in front of the rock n> roll lady herself.> > A great time was had by all > > Mike Barry> > mystified as to what on earth Im on about go to-> www.myspace.com/catcherglasgowindieband and listen> to the track yourselves.> > All the best> > Mike Barry> Catcher and West Nile Records> www.westnilerecords.com>
Missy Panda - Fanbase (Nov 18, 2008)
Todays Glasgow Evening Times 29 Jun 2010


Comment of the dayYour article (June 24) about the restoration of Corinthian in Ingram Street mentions Glasgow’s tobacco lords and the slave trade, but sadly nowhere in the city is there a statue or memorial to the victims of this vile trade.Even the city sightseeing tour guides omit to mention that much of Glasgow’s historical wealth was acquired through the use of slave labour on American tobacco plantations.A walk around the Merchant City doesn’t mean much without explaining how the tobacco lords built their own – and the city’s – fortunes.A lasting memorial to their victims is long overdue.Mike Barry, Carmunnock

http://www.cdbaby.com/cd/catcher1
Daily Record 15/6/2007

• Catcher -
Bi Polar Bear Disorder

• THIS is the band who hold the record at King Tut's for most appearances.
Tonight (Friday June 15) will be their 36th outing at the famous venue.
Their new album keeps up the good work of their last one, The West Nile Virus.
Singer Mike Barry has a voice and ear for melody like Julian Cope from the Teardrop Explodes. Opening track Walkabout has the indie clout of Midnight Oil or James. Unashamedly indie pop this is another huge album from one of Scotland's catchiest bands. Do You Remember could be The Monkees and the album title track with its plentive harmonica is a deft political statement against global warming wrapped up in a sugary pop tune.
www.myspace.com/catcherglasgowindieband


Rick Fulton
> New reviews for January 28, 2008 <

Catcher - "Bi Polar Bear Disorder" cd (West Nile)
I'd not heard of this band before receiving this disc from them, but apparently they hail from Glasgow and have been releasing records for over a decade (not to mention leader Mike Barry's even longer running band, Easter And The Totem, who included a true gem on the most recent "Leamington Spa" comp on Firestation)! The sort of dated sound on this record makes a bit more sense now, knowing how long the band have been around, alternately reminding me of many bands, including the '80s-styled jangly college rock of bands like Let's Active and the Loud Family in some places, the intellectual alt-pop Julian Cope in others and even a bit of Bob Mould's solo work in a couple places ("All My Dreams" could go one step further, and pass for Sugar). The first eight songs make up the album proper, while the 2004 "Different City EP" is tacked on at the end (and doesn't sound very different from the rest). How this band has managed to stay under the radar (at least outside of Britain) for this long is a mystery, but I'm glad to have finally heard them. MTQ=9/12
-- Listen to "Walkabout (Classic)" --
The West Nile Virus
by Catcher
The intro to this album catches you out-it's soft and gorgeous and floats along but then crashes into the frantic pace of Don't ever Stop. Think Green Day and the Teardrop Explodes with the voice of Echo and the Bunnymen's Ian McCulloch.Don't ever stop is a storming song and really the pace and the quality of the 11 songs doesn't dip. The album plays out to a tight version of The Clash's White Riot.
There are great harmonies, secondary vocals, melodies and lyrics. Singer Mike Barry has a distinctive voice and delivery that keeps you listening to the words despite the furious pace of some of the songs.
Highlights include A Train to Heaven which is a cross between the spikey guitar pop of Franz Ferdinand and vocal delivery of Seventies punk. Summer is a perfect driving song. And since summer is here its well worth making this a soundtrack for your holiday.
Rick Fulton - Daily Record UK
Live review
Liquid lounge Glasgow
Band: Catcher
8th August 2006 - 21:53:33

Catcher are a Glasgow indie band and although they have only been on the stage for about two songs, they have already manage to start an argument. Not between themselves I hasten to add, but between myself and Moe the soundman about who the lead singer sounds like. You know the sort of the voice that as soon as you hear it seems to trigger some memory deep within your brain. So after a wee debate, with many contenders being quickly dismissed, it’s decided unanimously that he sounds like the lead singer from the Wedding Present, David Gedge. Now we’ve got that sorted we can concentrate on the music. The band has a very big sound, by that I mean the sort of sound that’s ideal for festivals or stadiums, it fills the room. They at times remind me of the early punk bands like ‘Television’ or ‘The Stranglers’ but with perhaps a more indie/new wave sound. My only fault would be that at times some of the songs seemed to end in a fizzle leaving a momentary pause before the crowd realised and the applause started. Highlights of the set for me included the fantastic ‘All my dreams’, a fast paced song with a good beat and backing vocals and ‘Walkabout’ that reminded me of early R.E.M.
Dave - Nu clear sounds
Catcher Sex Death Trains and America (West Nile Records)Making Music Review 2001
Nice to see old Demonology winners actually doing something other than imploding and getting jobs down at Homebase (sadly the percentage of acts that actually make the huge leap from demo pages to full blown pop stars is still woefully low), But Catcher-Think Cosmic Rough Riders meets the Ramones with a large order of Scots Jangle- are now on their second album and showing little signs of jacking it in yet –a-while. We are not talking about anything astoundingly new or groundbreaking here, just very well constructed,melodic,chart friendly rock songs with a hefty nod towards punk (amazing how many of these sort of bands come from north of the border, perhaps it’s the wide open spaces and Irn Bru.If you want to know more tootle along to my space on www.myspace.com/catcherglasgowindieband or write to 47 Carmunnock Road Glasgow G44 4UE
Making Music - Making Music Sex Death Trains and America (Jul 25, 2007)